Wednesday, May 27, 2020
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Fofoulah: Daega Rek – album review

Are the people of The World ready for the genre busting Fofoulah and their astonishing Afro-Dub explosions?

Ceiling Demons: Nil – album review

Ceiling Demons continue their journey and a long one it could well be.

Dälek: Endangered Philosophies – album review

It starts with a squall of riotous noise. Stripping your senses and outside influence. Naked and ready. In comes the sludge thump drums adding an anchor before MC Dälek's vocals emerge from the storm and boy has he come prepped. We are about to be taught a lesson. School is in session..

Ifriqiyya Electrique: Rûwâhîne – album review

An album catching a feeling, an emotion, a moment in a lifetime.

Jeb Loy Nichols: Country Hustle – album review

Is it Soul? Is it Country? Is it Hip-hop? No, it’s Jeb Loy Nichols

Dreadzone: Dread Times – album review

Dub/reggae/trip house/electronica group Dreadzone release their eighth album.

Clipping.: Splendor & Misery – album review

Clipping.: Splendor & Misery (Sub Pop/ Deathbomb Arc) LP/CD/DL Available Now 8.5/10 Experimental Hip-Hop outfit Clipping. release brand new concept album. Simon Tucker takes the journey. Concept album. Two...

Gonjasufi: Callus – album review

The latest album from the cosmic singer/producer/DJ Gonjasufi, Callus, is his most soul-bearing and cathartic to date.

Albums we missed: Part 3 – Gioumourtzina | Monkoora | Afro Cluster

Louder Than War’s Paul Scott-Bates trawls through the albums that are too good to be forgotten and urges you to listen to some more fine music

True Neutral Crew: soft rules – album review

True Neutral Crew: soft rules (Deathbomb Arc) CD/DL Available 29th July 8.5/10 Experimental hip-hop outfit True Neutral Crew come out swinging on their debut double length album. Simon...

Sherwood At The Controls Volume 2: 1985–1990 – album review

an incredible insight into the man now in his fifth decade of music production and mixing.

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Nile Marr : interview about his new EP and a musician’s life

The most important thing is that you come away with art. I’m getting to the age where there’s no point complaining about a lack of something happening, no excuse for it if you’re not going to do it yourself. I’ve always had that DIY approach to my own music.”