3 Alveston Place

3 Alveston PlaceThere is one inauspicious address that has a unique presence in British music: 3 Alveston Place, Leamington Spa. It’s an address that conjures memories for those who bought music in the pre-streaming era. But what has become of it? David Beer investigates. 

3 Alveston Place, Leamington Spa is an address that is likely to ring a familiar tone. Anybody who bought their music on vinyl, CD or tape is almost certain have come across this address. These formats usually carried a second-class free-post card that was almost always made out to the same address — with the band or singer’s name added at the top. The card invited you to write your details on the reverse before posting. Returning the card registered you for postal updates. The slow speed of this all seems quaint on reflection.

Even infrequent music buyers are likely to have noticed that all of their favourite bands and singers appeared to live in the same house. During the 1990s I had no idea that Leamington Spa was in the midlands, even though I lived there, making it an ideal spot for distributing materials across the UK. My vision at the time was not so much of a house like that shared by The Monkees, but of something much more industrial. A house with a production line of flyers and pamphlets being placed into envelopes and bagged up for posting. The vision I had was much closer to the Malabu Stacy doll factory on The Simpsons. The scale of the task, managing the correspondence for all of the British music scene, seemed like it would be impossible to cope with. I knew the address well, but had no idea what went on there or what it looked like.

As an avid reader of the NME, the Melody Maker and some other music magazines, I didn’t feel the need to post many of these cards. I tried a couple of times and I don’t think I remember getting very much back. Although I do remember sending off to get a special bonus CD insert booklet for a 60ft Dolls album, I got that. I know I didn’t send many off because when I go back to my old music I’m often confronted with these artefacts of a different musical world. This was a time in which the materiality and speed of music information was totally different. This transformation is embodied in the small cards that now fall out of the vinyl I buy, no longer do these invite me to have postal correspondence with a small west-midlands town, instead they carry a code for a free download.

After I noticed one of the Alveston place cards in a 12″ EP version of Embrace’s Fireworks, I was reminded of this address and thought I’d take advantage of the advances of technology to correct the visions I’d had. I searched on Google Street view and could only find a building site. The reason for this then became clear. The original 3 Alveston Place seems to have been lost.

So what happened to 3 Alveston Place? It’s safe to say that it lives on in people’s memories. There is quite a bit of nostalgic discussion of the address online. There is a Twitter account named after it @3alvestonplace, for instance. It seems that the address was still being used for official music correspondence as late as the 2000s. It was at some point in the first decade of the millennium that the purpose of the building changed, it became a tile shop. According to Warwick District Council’s planning records, agreement was then given for the building to be demolished in early 2015. A very short entry in the minutes from the December 2014 meeting reveal that no objections were raised to its demolition. The historical significance of the building must have been lost somewhere along the line.

3 Alveston place, Leamington Spa, is now a 4 bedroom, 4 bathroom new-build town house, with a balcony. It is part of a 9 house Alveston Place development. The Alveston Place website provides details of the house and the sales brochure carries photos of the development. Gleaming new white fronted houses sit in a row. So, the mysterious epicentre of the British music scene is now a town house. No longer needed as the fulcrum of music information, the networks have moved elsewhere affording its rehabilitation as part of the transformation of urban space.

The changes at 3 Alveston Place are linked to both the changing flows of music information and changing urban space. I suspect that despite these changes the address will continue to cause a flicker of recognition from those who liked to listen to their music on a material format. This makes me wonder if the new residents will occasionally get a card through the door addressed to an unfamiliar name. Perhaps they will return it to sender, I’m sorry Black Grape don’t live here anymore.


All words by David Beer. 

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  1. You imagine what No 3 would have been like & how it all operated etc, but sadly do not investigate or reveal any details?

    • I believe the company was Trinity Street, a former flyposting company that moved into flyers and direct mail when such things became more popular. They clearly did well at it for a while until the ‘net changed everything. I thought they were still around but this suggests otherwise:


  2. I used to send those cards off, hoping in vain to get some freebie or other. All I got was junk mail about bands I didn’t sign up for.

    One interesting thing I did get however, was a Parlophone promo cassette (!) album full of their roster. It featured a pre-hit ‘Creep’ by Radiohead and more importantly (for me) ‘Call Mr. Lee’ by Television, which was my introduction to them. The rest of it was pretty rubbish.

  3. I sent off lots of these reply cards things at the time & did get quite a lot of stuff in return! Every 3 months or so, there would be a newsletter from EMI/Parlophone, called “Flavour Of The Label” & was the first place I ever read about Coldplay, way back in ’98 I think. I often got free cassette samplers too, as I remember getting ones from Republica, some female singer called Christine Levine & Ragga Jack (whoever he was?). I also remember getting a Speedy 7″ single one Xmas & also a CD from Tom McRae. It was always exciting to get something in the post about a new release coming soon & the tracklistings/info etc.

    It’s hard to imagine this kind of idea nowadays. in the internet-age of everything being so instant & accessable, but back then in the mid-to-late 90’s, this worked quite well & amazing how patient we all were, to send off a card in the post & then wait to receive stuff back etc, but it was 20 years or so ago & simpler times in the pre-internet days. Oh well…

    Anyway, thanks for a good article. ;)

  4. As an aside, but I believe linked to Alveston Place, the photo used on the cover of Ocean Colour Scene’s Moseley Shoals album was taken in Leamington Spa in front of the Jephson Monument:


  5. The claim that anyone who bought music on vinyl, CD or tape will know this address is much exaggerated. As someone who was born and grew up in Leamington and was involved in the music scene, I had never heard of these postcards. Perhaps the business didn’t start until the 90s? I was a teenager in the 70s. It’s an interesting tale anyway, which I only came across when I was searching the history of Alveston Place as it was the childhood home of my great grandfather in the 1890s. I wish now his family has lived at number 3 rather than 5!


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