The Pop Group
Announce release of their first studio album in 35 years
“It was an amazing opportunity and very exciting to be working with the guys. The energy is still there, the idea is still there, it still fizzes with a life that most young bands today just don’t have.”
Paul Epworth 2014
“Even I am shocked by the album. It really flips the script. Expect the unexpected.
Let the freak flag fly.”
Mark Stewart 2014
Post punk provocateurs The Pop Group have announced details of the release of their first album in 35 years. Citizen Zombie will be released through Freaks R Us on Monday February 23rd 2015.
Produced by the much-acclaimed Paul Epworth, a long-time fan of The Pop Group, the tracklisting of the 11-track album is as follows:
1. Citizen Zombie
2. Mad Truth
3. Nowhere Girl
4. Shadow Child
5. The Immaculate Deception
7. Box 9
9. St. Outrageous
10. Age Of Miracles
As a taster from the album, title track ‘Citizen Zombie’ can be heard via SoundCloud now: https://bit.ly/1xWQ0KC
The album, featuring original members Mark Stewart (lyrics / vocals), Dan Catsis (bass), Gareth Sager (guitar) and Bruce Smith (drums), was recorded at various locations over the last two years and finished in late summer 2014 at Epworth’s studio in Crouch End, London.
On working with Epworth, Mark Stewart commented, “From his work with Phones onwards, I’ve loved his work and think he’s one of the world’s best producers. He gave us the freedom to create and, with his help, destiny rides again for The Pop Group.”
The Pop Group formed in Bristol in 1977 out of a sense of disenchantment with the increasing conservatism of punk.
Drawing on an eclectic range of influences from free jazz, conscious funk, heavyweight dub to avant-garde experimentalism, alongside contemporaries like Public Image Limited, This Heat and Throbbing Gristle, they were at the forefront of a musical period marked out by its ground-breaking innovation.
Socially conscious, their politically-charged lyrics boasted intellectual influences including Wilhelm Reich, situationism, French romanticism and the beat poets. Early gigs supporting kindred spirits Pere Ubu and Patti Smith led very quickly to headlining events such as the 1978 Electric Ballroom line-up of Nico, Linton Kwesi Johnson and Cabaret Voltaire.
In March of 1979 they debuted on Radar Records with single ‘She Is Beyond Good And Evil’. First album Y, produced by reggae titan Dennis Bovell, followed that April and was instantly hailed as a classic. Within 12 months they had set up their own Y label through Rough Trade and issued single ‘We Are All Prostitutes’, followed by their second album in March 1980. Drawing on a wide spectrum of influences ranging from Ornette Coleman, King Tubby and Funkadelic, to Debussy, Jacques Brel and Steve Reich, For How Much Longer Do We Tolerate Mass Murder? proved to be their final studio album, but the band did go on to share a 45 with the Slits, contributing the future-funk of ‘Where There’s A Will’.
The Pop Group released the archival We Are Time as a final statement before they imploded in 1980. Band members went on to other musical ventures including Rip, Rig & Panic and PiL, with Stewart pursuing both solo and collaborative projects, working closely with Adrian Sherwood at On U Sound.
Reforming in 2010, the group have played a number of festivals across the globe including All Tomorrow’s Parties, Summer Sonic and Primavera, and just recently completed a 7-date UK tour in support of the reissued We Are Time and new archival compilation Cabinet Of Curiosities.
Renowned music commentator Richard Williams, who had witnessed The Pop Group on their home turf of Bristol back in 1978, now enthused about their recent London date: “one of the most important British bands of the 1970s, the gig provided evidence of their continuing relevance…the good news is that they’re actually better at it than they used to be back in the day.”
The band have teamed up with Pledge Music offering fans pre-order on exclusive items via www.pledgemusic.com/projects/citizenzombie & their facebook & twitter, with a share of any surplus revenue going to CAAT (Campaign Against Arms Trade).
March 1st Tokyo JP – Liquid Rooms
March 5th Adelaide AUS – Adelaide Festival
March 6th Sydney AUS – The Factory Theatre
March 7th Melbourne AUS – The Corner Hotel
March 10th Los Angeles CA – Echoplex
March 11th San Francisco CA – Great American Music Hall
March 12th Seattle WA – Neumos Crystal Ball Reading Room
March 13th Chicago IL – venue tbc
March 14th Toronto ON – Lee’s Palace
March 16th Brooklyn NY – Rough Trade
March 17th New York NY – Bowery Ballroom
March 19th – 22nd Austin TX – SXSW