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Englishman John Boorman’s innovative and atmospheric second movie – which seemingly came out of nowhere after his Swinging Sixties Dave Clark Five musical Catch Us If You Can – dragged the all-American crime film out of the black and white shadows of the 1940s and 1950s, straight into the searing, vivid daylight of 1967 pop-art LA. The result is probably Boorman’s, and Marvin’s, greatest movie – a superb, shifting, Panavision Metrocolor noir.
"Essentially this is the sound of someone who had stared into the abyss..."
It\'s just Zappa\'s albums; the way Zappa wanted them to be.
Super deluxe box set for 30th anniversary of The Jam's The Gift