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Point Blank – film review

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Englishman John Boorman’s innovative and atmospheric second movie – which seemingly came out of nowhere after his Swinging Sixties Dave Clark Five musical Catch Us If You Can – dragged the all-American crime film out of the black and white shadows of the 1940s and 1950s, straight into the searing, vivid daylight of 1967 pop-art LA. The result is probably Boorman’s, and Marvin’s, greatest movie – a superb, shifting, Panavision Metrocolor noir.

Marianne Faithfull: Broken English (Deluxe Edition) – album review

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"Essentially this is the sound of someone who had stared into the abyss..."

An Epic Review of Frank Zappa’s first 12 albums OR Universal,...

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It\'s just Zappa\'s albums; the way Zappa wanted them to be.

The Jam's The Gift gets super deluxe box set release

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Super deluxe box set for 30th anniversary of The Jam's The Gift