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Experimental psych-kraut-post-rock prog-pop for hipsters or Calculated Lunarcy. Ged Babey decides which camp Maths and the Moon fall into.
This record isn’t just a look backwards to big open highways and hairy guitarists; it’s not a throwback to big old US Rawk. It also isn’t a return to the sound of Fugazi, the urgent angular wonder of what they created. This is something else, something caught somewhere between the two. Something big, open and very cool.