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Point Blank – film review

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Englishman John Boorman’s innovative and atmospheric second movie – which seemingly came out of nowhere after his Swinging Sixties Dave Clark Five musical Catch Us If You Can – dragged the all-American crime film out of the black and white shadows of the 1940s and 1950s, straight into the searing, vivid daylight of 1967 pop-art LA. The result is probably Boorman’s, and Marvin’s, greatest movie – a superb, shifting, Panavision Metrocolor noir.

LIVE

Ezra Furman: Museum Of Fine Arts, Boston – live review (streaming)

Ezra Furman
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Ezra Furman Museum Of Fine Arts, Boston 1st November 2020 Ezra Furman finally takes her first steps back towards the...

INTERVIEWS

Mark Fernyhough: Automatic Paintings – single review + in conversation

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Single review and interview by Susan Sloan Mark Fernyhough Automatic Paintings DL Out now! In the early 1900s Swedish artist Hilma...

NEWS

Listen to this! Talkboy release new single Sky Is Falling

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Leeds band Talkboy have just released their new single, Sky Is Falling. We first covered the band back...

MEDIA

Mothra (Limited Edition Box Set) – film review

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Mothra (Limited Edition Box Set) - film review Mothra (1961) Director: Ishirō Honda Cast: Frankie Sakai, Hiroshi Koizumi, Kyōko Kagawa...

FESTIVALS

Six Of The Best Sets At Loftas Fest 2020

Loftas Fest
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From toe-tapping rock n’ roll to darkly ethereal modular synthpop - discover highlights from the vibrant Loftas...