spam javelin album artwork

Spam Javelin announce forthcoming The Three Chords Of The Apocalypse album

North Wales based Spam Javelin have announced details of their forthcoming album; entitled “The Three Chords Of The Apocalypse” the release follows their 2019 album ‘The Crack Whores Of Betws Garmon’, which is available at the Louder Than War Shop (CD & LP)

The fifteen track album will be released via Link2 Wales Records on the 29th January 2021, the album available on CD and limited orange & black splatter vinyl is available to pre-order now via the bands Bandcamp profile.

The album includes the track ‘God Bless America’ which was inspired by the bands attempt to tour the USA in August 2019 – they were stopped upon arrival at Minneapolis Saint-Paul International airport, questioned and then deported. LTW reported on the incident at the time (LTW News)

In addition lead single ‘Herd Impunity’ has been gaining radio play courtesy of Adam Walton on his BBC Radio Wales show.


The band have a number of gigs booked, primarily an appearance at Punk Fest 4, which is being held at The Boulevard, Wigan on Saturday 30th January 2021 when they appear alongside The Mighty Bossmags, and Dead Objectives amongst others – Advance tickets are on sale now.

Head over to the Bandcamp page to preview the tracks and place any advance orders.

Spam Javelin online:


Spam Javelin announce forthcoming The Three Chords Of The Apocalypse album

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Phil Newall is 47, from The Wirral - he earns his living not writing about music nor playing music...though sorely wishes he could. He was fortunate enough to see many of the first generation punk bands when they played the U18's matinee shows at Eric's, Liverpool. As an attendee at Eric's he was exposed to punk rock, dub reggae, art rock, and all manner of weirdness; as a customer at Probe Records he was variously served and scowled at by Pete Wylie and Pete Burns - he has written for Record Collector, Whisperin & Hollerin, and Spiral Scratch and wanted to write a book detailing the Liverpool punk scene; however with 'Head-On' Julian Cope beat him to it...and frankly did a much better job.


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