27th October 2016
Britain’s most articulate and outspoken band came to Manchester last Thursday as part of their UK tour. Louder Than War’s Michael Halpin was there to take it all in.
The evening began with a DJ presumably being employed to carry out the wonderful job of winding the audience up. Prior to Sleaford Mods taking to the stage the gathered throng were treated to a selection of cheesy disco “classics”. ‘It’s Raining Men’, ‘Girls Just Wanna Have Fun’, ‘Love Isn’t Always On Time’, ‘The Theme From Friends’…you get the picture. Some members of the audience simply didn’t seem to get the point or appreciate the juxtaposition however. Surely these people didn’t have to be reminded of the purpose behind Sleaford Mods, did they? Sleaford Mods are here to drag us away from the soulless, saccharin cheesy-pop fest that was awful in the 1980s and is just as awful now. They are here to rant and vent against all that is false, against all that is fake. They sing about the state of modern Britain and the state of modern popular culture. Sadly some boys, as well as some girls, in the audience did appear to ‘Just Wanna Have Fun’. That’s fine but those boys and girls are missing the point when it comes to Sleaford Mods.
Fortunately, the majority of the audience tonight do get the point. The evening was a gathering of the sub-culture tribes, each with their own reason for being there. You could spot Indie, Mod, punk, hip-hop, dance…you name it, it was there. The audience was reminiscent of a Glastonbury audience prior to the era when going to Glastonbury simply became the thing to do.
Singer Jason Williamson greeted the Manchester audience with the cry, “You fuckin’ know don’t you?!” and it genuinely felt like they did. Sleaford Mods are that band. The band you can believe in. The important band. The band who actually have something to say. Williamson delivers every single lyric like his life depends on it. Like a man who really could be possessed and this is exactly what 2016 needs. We need another Ian Curtis, Iggy Pop, Johnny Rotten, Joe Strummer. Williamson is more than just a simple amalgamation of those who many of us see as heroes of the working classes. His stage persona hints at Ian Dury, Norman Wisdom, Richard III and Quasimodo. We get Dalek impersonations, Metal Mickey impersonations and impersonations of the robots from the cult 1980s ‘Smash Makes Mash’ adverts. Add to that random sheep noises, genuine wit and the odd blown raspberry and you’re beginning to get the picture.
As Williamson ranted through ‘I Can Tell’, ‘Take It’, ‘Faces’ and ‘Fizzy’ as well as new numbers ‘BHS’ and ‘T.C.R.’, his musical partner in crime Andrew Fearn nodded and bobbed his head along to his no frills laptop and was admirable in his honestly – he was basically pressing play and pressing stop and didn’t care who knew it.
Williamson mocks the debacle of the encore in modern entertainment but managed to wind himself back up instantly to spit out ‘Jobseeker’, ‘Tied up In Nottz’ and ‘Tweet Tweet Tweet’.
Sleaford Mods are a million miles away from the top ten of the UK singles chart. They’re a million miles away from a Brit Award but they say more about the UK and Britain in 2016 than any other artist living in Britain today.
Words by Michael Halpin. You can find more of Michael’s writing on Louder Than War at his author’s archive.