Radical Dance Faction: Ammunition – album reviewRadical Dance Faction -Ammunition (Pumpkin Records)


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Radical Dance Faction (or RDF) have been around in a number of guises since the mid eighties. As part of the whole free festival and anarcho scene, main man Chris Bowsher has led them through myriad line-up changes and record labels. Ammunition is his first release since 1995’s Ragamuffin Statement, for Louder Than War, Joe Whyte reviews.

Taking their lead from dub reggae, ska and the heavier end of dance music, they’ve laced their music with lyrical politicing.  Ammunition carries on the tradition. Bowsher is a man who clearly  has something to say. This, however, I’m afraid to say, is where it all falls down for me and probably for most listeners.

Maybe I’m being harsh. Maybe I’m a cynic. But, y’know, having lived through punk, the Thatcher years, The Falklands, the current incumbents in Downing Street and all the rest, I know who the bad guys are. I don’t need it pointed out to me these days and at every turn. We’ve all read the books, watch TV, use the internet.

This is the problem with protest music; it rarely reaches the ears of the bad guys. It’s very much preaching to the converted. And unfortunately, lyrically, the album comes across as slightly jaded and hectoring in tone.


Don’t get me wrong, there’s nothing wrong with the sentiments at all; Bowsher is a man on a mission and his targets are clear. In fact, he should be applauded for the single-minded approach to his commitments.

On the other hand, musically Ammunition is rather good; deep, bass-bin-bothering grooves and rattling rhythms with subsonic samples liberally and intelligently woven through. Opening song For The Poor Man has sweet Hammond organ swoops atop a militant bassline and echoing snare cracks. Bowsher speaks rather than sings although his vocal foils on the album swap lines with him in a neat style.

This, unfortunately, is where Ammunition falls down for me again. Bowshers spoken-word London tones remind me of something and there’s only one way to say this. He sounds like Albert Steptoe.

I can’t listen to it without the thought of him shouting “Aaaaarold!” amidst the well-put together dub-ing. This is such a shame as I guess the guts of the music is Bowshers and it’s thoughtful, clever and really well done.

Rebel Soldier has someone else singing on it at the start (there’s no press release to give hints to the line-up) and y’know, the music is lifted immediately. There’s some searing guitar amidst the tripped-out groove and there’s even time for a touch of Get Up, Stand Up in the reprise.

I bet that RDF are a real monster live and I’m sorry I missed them at Rebellion this year. I guess if Chris Bowsher left the vocals alone and concentrated on the music this would have been an 8 out of 10 review.

Radical Danse Faction are on Myspace & Facebook.

All words by Joe Whyte. More writing by Joe on Louder Than War can be found at author’s archive

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Joe Whyte is guitarist with punk rockin' Johnny Cash tribute Jericho Hill and reformed 70's punks Reaction. He has formerly played with End Result, Reverend Snakehips Country Messiahs, God-Fearing Atheists and many, many other failed attempts at rock notoriety. Joe also writes for Vive Le Rock and Louder Than War magazine. He lives in Glasgow and in his other less glamorous life works in mental health.


  1. If there’s anything I really hate, it’s lazy reviews.
    Clearly, you have no idea about the history of this band, their huge influence in the underground scene of the late eighties/early nineties.
    Chris is from Hungerford, as is his accent, so your weak and plain stupid Albert Steptoe comparison holds no weight, or level of intelligence.
    The lyrics are as relevant now as they were all those years ago. I’m not quite sure where you’re head is at, but it needs a check.
    This a a great album, and features the final recordings of Steve Swann (Revolutionary Dub Warriors / Military Surplus) on bass and vocals.
    I’d get back to your Johnny Cash tribute, as you probably know more about him than you do about the heritage of RDF, one would think.

    • Yeah well said mate, I agree entirely !!!
      For a start they play mainly at festivals where everyone isn’t an old punk from the Thatcher years so the messages in these lyrics are hitting new & young ears that maybe wouldn’t of heard these sort of protect lyrics before… and as for the Steptoe quote, well Joe with his strange regional xenophobia probably shouldn’t be reviewing music if an accent of a vocalists can cause a bad review.

  2. “If there’s anything I really hate..blah blah”.
    I refer you to Stuart Maconie’s chapter on readers letters to the NME in his rather good book Cider With Roadies. Congrats. You won the prize.

  3. I am an old fan and it took me a while to warm to this album, mainly because of the overly clean production on the backing cox tbh. But after running it in I absolutely love it, especially the way they weave the full history of the band through the old an new songs, dipping in and out of old and new lyrics and melodies. But they are definitely a marmite band :-)

  4. Steptoe haha thats funny – well he has a bit of the rag and bone man about him doesnt he? I love em anyway – but marmite is shti

  5. be great if you could actually find a f++kin copy anywhere.

    press a few more up – or even give me the reprint rights to run a couple of batches – an i’ll press em up myself for you just to get a copy i can actually play on a cd player rather than a bloody telephone….

    As for the review above – what review ?.. ACTUAL – useful info on the release is that the vinyl is short by two tracks (time limits on vinyl)… get the CD.

  6. I repeat above “As for the review above – what review ?” Not starting to understand the reviwers point of view. Nothing to do with this release, as far as I can see. Great CD


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