a distinctly bold and assertive delivery in the style of Siouxsie and The Banshees in their Superstition period.
On the solemn, beautiful 'Cave In', shadowy bass gathers around dusty loops as Jones invades trip hop territory and makes it his own.
With its driving kraut-style drumbeat, hypnotic guitars and rhythmic bass line, Drag is a one-off song adventure for Tracy Bryant.
Standing steady and elegant amongst warm, wobbly wreckage of her vintage style, she delivers an effortless performance
Spellbinding melancholy flows through the blue moods and blissful musical flourishes of the single
Make no mistake, Lark isn’t for the faint-hearted
his music blends British folk songwriting with 60s/70s American psych-pop, drawing on Influences from Syd Barrett, Nick Drake, John Martyn and Richard Thompson
With brand new track Dust, Ben synchronizes a smart guitar pedal with a drum loop creating an industrial sounding version of an effect implemented by guitarists like REM’s Peter Buck, U2’s The Edge and The Smiths’ Johnny Marr.
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