Martha Wainwright © Naomi Dryden-Smith

Martha Wainwright © Naomi Dryden-Smith

Martha Wainwright | Ed Harcourt
Roundhouse, London
2nd Feb 2017

Our reviewer/photographer Naomi Dryden-Smith reports on a unique and memorable evening at London’s Roundhouse

Ed Harcourt and Martha Wainwright In the Round, up close and personal, is likely to still be a musical highlight of 2017 in December.

The evening kicks off with Ed Harcourt, who effectively has music and poetry rushing out of every pore – one minute delivering earnest and passionate epics like You Give Me More Than Love through trade mark floppy fringe, the next becoming a modern-day one-man-band, playing a multitude of instruments and recording each to create a full backing track that he can then sing to.

There is plenty of relaxed banter, both with the audience and also with Nick Erwell, who arrives on stage to show off his considerable trumpeting and piano dueting skills, only to be almost pushed off the piano stool and then to have his bum slapped. Witnessing more skilful music layering in the (slightly Faith-like) upbeat and catchy Apple Of My Eye, it’s clear that Ed has absolutely no need for a band at all.

Ed Harcourt © Naomi Dryden-Smith

Canadian Martha Wainwright breezes onto the stage, with her beautiful, passionate vocal and natural talent. And she’s really funny and charismatic, peppering her performance with comments like “As a folk star I’m supposed to talk to you whilst I’m tuning – supposed to tell you shit…”, and offering sharp anecdotes and insights into her relationship with her family, growing up with her brother Rufus, telling us that one collaboration between them would have been “a nightmare for some, a wet dream for others”. On a deeper level, her jokes reveal a sense of not feeling quite good enough – “I hope some of their money and talent rubs off…”, but her quirky story-telling is endearing and charming.

She punches out a diverse string of songs heavily influenced by jazz, country and folk whilst somehow managing to make shapeless overalls sexy by pairing them with some very feminine Mary Janes. And it’s not just anyone who can carry off a uterus necklace. At times she becomes completely immersed in her music, rocking out to Take The Reins, and when she’s really into it her left leg bends up and kicks out to the side. Again, very endearing. When she breaks a string, the audience is completely on side and she couldn’t be nicer to the roadie who sorts it for her. Her tribute to family friend Leonard Cohen, Chelsea Hotel, after a false start where she forgets the lyrics (“F*cking hell Leonard Cohen, so many lyrics!”) is heartfelt and heartbreaking and sees her singing so hard she ends up doubled up on the floor.

Martha Wainwright © Naomi Dryden-Smith

Both Harcourt and Wainwright bring a sense of family into their shows – he tells a fairly rubbish banana joke told to him by his daughter, and his wife Gita arrives on stage to bewitch us with her beautiful violin-playing. Martha Wainwright talks constantly of her children, her brother and she ends the night with a spine-tingling and haunting rendition of her mother’s song Proserpina. It’s very special, and results in an audience that feels included in a very intimate experience.

To see Ed Harcourt and Martha Wainwright at the Roundhouse together is an absolute privilege – the stage will have rarely held so much talent at the same time.

Photo Gallery:

Please note: Use of these images in any form without permission is illegal. If you wish to use/purchase or licence any images please contact Naomi Dryden-Smith at


“Goodnight City” was released on 11 November 2016. You can keep up to date with Martha Wainwright on Twitter, Facebook and her official website

“Furnaces” was released on 30 September 2016. You can keep up to date with Ed Harcourt on Twitter, Facebook and his official website

All words and photos by Naomi Dryden-Smith. You can find more of Naomi’s work for Louder Than War here, and she tweets as @nomeshome Also on Facebook. Naomi’s Photography portfolio can be found here

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Festivals/Films Editor, mentor to new LTW team members, music photographer and reviewer. London-based House Photographer for O2 Academy Music Group. For commissions/prints contact


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