Laibach announce new album! WIR SIND DAS VOLK (EIN MUSICAL AUS DEUTSCHLAND)LAIBACH
WIR SIND DAS VOLK (EIN MUSICAL AUS DEUTSCHLAND)
OUT ON MUTE ON 25 MARCH 2022

 

 

LAIBACH will release a new album, Wir sind das Volk (ein Musical aus Deutschland), on Mute on 25 March as a deluxe CD with extensive sleeve notes, and digitally – with the double vinyl following on 10 June 2022.

 

The album collates music from the acclaimed theatrical production Wir sind das Volk (“We are the People”), which premiered at Hebbel am Ufer (HAU) theatre in Berlin on 8 Feb 2020. Two more shows were performed, before the production was halted due to the pandemic. In 2021 Laibachopened the Klagenfurt Festival with a Slovenian version of the same production and performed two more sold out shows in Ljubljana’s Kino Šiška. In March this year performances will resume in Berlin’s HAU, with more confirmed for Zagreb, Ljubljana, Hamburg, Maribor and in the Cultural Capital of Europe, Novi Sad – full details below.

 

Wir sind das Volk is based upon the writings of Heiner Müller (1929-1995), one of the most significant German-speaking playwrights since Brecht. Laibach’s own association with the theatre began in 1984 when they composed music for Heiner Müller’s Quartet, a play that was presented at the Slovenian National Theatre in Ljubljana. The following year they met Müller in Berlin, who suggested that they collaborate. Müller went on to use Laibach’s music in a production but the collaboration never happeneduntil the head of the International Heiner Müller Society, Anja Quickert, proposed a posthumous project based on Müller’s texts.

 

Laibach explain, “We followed Heiner Müller’s own strategy of cutting and rearranging the material, taking his texts and putting it into another context, rebooting it with music, in order to drag the audience into it or alienate them from it. Music unlocks the emotions and is therefore a great manipulative tool and a powerful propagandistic weapon. And that’s why a combination of Heiner Müller, who saw theatre as a political institution, and Laibach, can be nothing else but a musical.

 

The album’s artwork and inner sleeve is Epiphany II: Adoration of the Shepherds (1998, collection of Fine Arts Museums of San Francisco) and Epiphany I: Adoration of the Magi (1996, Denver Art Museum collection) by the renowned Austrian-Irish artist, Gottfried Helnwein. Taken from his Epiphany series, some of his most recognisable works, the painting reflects on two of the central themes of his work: childhood and National Socialism.

 

Laibach have a knack for precision timing and Wir sind das Volk is no exception. The term “volk” (nation, or people) has undergone profound changes since 1989’s chants of “we are the people” at the time of the fall of the Berlin wall and throughout Europe, America and the word has, in recent years, become a tool of nationalist and racist exclusion.

Quickert goes on to say, “This project finally brings together what should have happened a long time ago: Laibach and the German playwright and poet Heiner Müller together. The myth of the nation cannot be buried as long as ghosts undermine its foundation. “Dialogue with the dead must not be interrupted until it is revealed which part of the future was buried with them.” Welcome to the abyss of the nation!”

 

 

Laibach formed in the then-Yugoslavian industrial town Trbovlje. Founded in the year that the country’s founding father Tito died, the band rose to fame to become one of the most internationally acclaimed bands to have come out of the former Communist countries of Eastern and Central Europe, recently becoming one of the first bands to perform in North Korea. In 2019 they released a Laibachian interpretation of The Sound of Music, conceived during their trip to North Korea and in 2020 celebrated four decades with Laibach Revisited.

 

 

LAIBACH – WIR SIND DAS VOLK PERFORMANCES
25 – 28 March – Berlin (DE), HAU Hebbel am Ufer
April – Zagreb (HR)Vatroslav Lisinski Hall
8 April – Ljubljana (SI)Cankarjev Dom
28 April – Hamburg (DE)Kampnagel
23-24 June – Maribor (SI)
2 July – Novi Sad (RS)

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Award winning journalist and boss of Louder Than War. In a 30 year music writing career, John was the first to write about bands such as Stone Roses and Nirvana and has several best selling music books to his name. He constantly tours the world with Goldblade and the Membranes playing gigs or doing spoken word and speaking at music conferences.

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