1136056Jimmy Somerville – Homage (Cherry Red)

CD / LP / DL

Out Now

10 / 10

The euphoric joy of disco has been a consistent thread that has run through the diverse, and illustrious thirty year career of pop legend Jimmy Somerville. This all new album recreates the genuine sounds of the hedonistic classic disco era. “This isn’t a pastiche, this is an homage”, says Jimmy. Even Ged “Disco Sucks” Babey has to agree it’s fab.

‘There’s a massive glitter ball in my head and it has never stopped turning’ says Jimmy Somerville. An unlikely pop-star and thirty years on still making great music if this new album is anything to go by. It’s pure unabashed disco. A bit camp but not a novelty cash-in, it’s a real labour of love.

“A homage to disco is something I always wanted to do. I never really thought I could pull it off but I did, and it’s a really brilliant album to be perfectly honest.

“All the music I’ve listened to are in there. When I listen to it, it makes me think of being 15, sitting on the bed, taking the vinyl out of the sleeve, putting it on the record player, then just sitting and reading all of the sleeve notes whilst losing myself in the music.”

Now. if you have read my reviews in the past you know I am Mr Punk / Post Punk … as a young man I thought Disco was the Enemy. It was music for happy, dumb people to dance to in order to impress the opposite sex (or yeah, the same sex, but that never occurred to me back then, I lead a sheltered life.) I wanted music that made me angry, made me feel part of something … and punk fitted the bill. You could dance to punk rock, after a fashion, and it made you feel alive. I can see now, all these decades later, that you could do the same to disco.  It gave you an identity and an escape.

Reading This Is Uncool was a revelation. Realising that Jon Savage and others from the Punk Generation loved Disco as much as they loved Punk was an education. But I was, and remain, unconvinced that it was as life-changing and life-affirming as punk (and post-punk). That said, I Feel Love, Disco Inferno and the like are as magnificent as anything by the Shangri-La’s, the Ronettes, the Supremes (I love the Sixties Girl-Group Sound as does any New York Dolls, Damned, Joe Jackson fan who did the necessary research…) or Buzzcocks, Generation X and the Jam.

That’s the thing though; Disco (and Punk) were basically at their best in 3 minutes of vinyl; the single.

This is where you need to fast-forward thirty-eight years (fuck me!) and realise that an albums-worth of 12 songs -all of which could or should be a hit single – make up a perfect, flawless album. A tribute, homage to disco. It’s a bit Philly Soul, a bit Supremes, a touch of Sylvester (a bit of tweetie pie) but as a consummate whole it’s a sunny day smile-athon you can dance to, yet still has that touch of politics that you’d come to expect from a man with Jimmy’s convictions and compassion.

“Life must mean more than this”  he sings on Travesty, apropos the way some people have to live under this governments savage austerity.  Yet the song is as upbeat a protest song as you can get, and the casual listener wouldn’t even notice.

There are love songs of desire and songs of regret here, all with the trademarked Nile Rodgers guitar and hi-hat groove, masses of strings and soulful backing vocals, every disco trope there is, bar perhaps the boom-boom syn-drum.

Freak is an obvious steal from the lexicon of disco from its title alone.  “I need a freak of a man who’ll understand” sings Jimmy with a twinkle in his eye and a wiggle of his boney old ass.

The Core slows it down a bit and has a Grace Jones groove to it, but there really isn’t a weak track.

Homage made me realise that where me and dance music part-company is where the music became synthetic and electronic (Hi-Energy and Euro-Disco) and I never will understand the attraction of House. Prime Disco had soul and real instruments rather than programming (yeah I’m a real-ale drinking Ludd, so what) and that’s what made it -and this truly fabulous homage- spesh.

Every now and then I need a break from rock ‘n’ roll and from now on this will be my go-to album.


Ged assures us that “normal ‘punk rock’ service will be resumed shortly.”

All words by Ged Babey. More writing by Ged on Louder Than War can be found at his author’s archive. 

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Ged Babey is 56. from Southampton, has written since 1985 for Sound Info, Due South, various fanzines and websites, contributed to Record Collector magazine and was sole author of 'Punk Throwback' fanzine -the name of which was taken from an insult hurled at him by the singer with a young band he managed for a while. Ged believes that all good music and art has a connection with punk rock.



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