Bass player, singer, composer, poet, and one-time London Tube driver, over a 36-year career in music John Wardle AKA Jah Wobble has carved a reputation as “a true maverick” and one of the finest musicians the UK has ever produced.

This May, Jah Wobble and Cherry Red Records celebrate his career by releasing an ambitious 6-CD box set entitled ReDux. It’s a multi-faceted project, disc 6 comprises a brand new album of exclusive cover versions, which will also appear on a limited edition vinyl LP, and each of the other discs is themed, concentrating on Wobble’s explorations into Dub/World musicAmbient/Spoken word and Jazz, with another disc given over to his pioneering and eclectic post-punk work, during and after his tenure with Public Image Limited. Plus there’s a brand new single in there, coupling ‘Merry Go Round’ with ‘Let’s Go Psycho’, issued in April (with a video for ‘Merry Go Round’ in the pipeline).

ReDux complements JW’s earlier triple-disc compendium, the best-selling I Could Have Been A Contender, by offering twice as much music as its predecessor without significant duplication, while also catching up on over a decade’s worth of music issued since the release of …Contender on Trojan Records back in 2003. That’s 93 tracks in total featuring such heavy friends on guest vocals as Sinead O’Connor, Julianne Regan, Ronnie Drew (The Dubliners), Julie Campbell (LoneLady), Natacha Atlas and Chaka Demus & Pliers. ReDux will be annotated by Wobble, who will be supporting its unveiling with a major UK tour.

The man born John Wardle began his musical journey when he met Sex Pistols John Lydon and Sid Vicious at Kingsway College, London, in 1973. John was not only nicknamed ‘Jah Wobble’ by Vicious after a drunken night out but Vicious also loaned him his first bass guitar and, following the Pistols’ split in 1978, Lydon asked Jah Wobble to join his new band Public Image Limited (aka PiL). They immediately scored a Top Ten hit with their debut single “Public Image”, and Wardle’s distinctive ‘low end’ bass was identified as the backbone of PiL’s pioneering sound, The Times later commenting that there is a “hypnotic power in his playing, a thudding, visceral bassline that dictates the way everybody else will play”. After PiL’s second album, ‘Metal Box’, Wardle became disillusioned by politics within the band and their reluctance to play live. He eventually split from PiL mid-1980 and embarked on a prolific solo career, his passion for Eastern and World music also inspiring a number of collaborations including Baaba Maal, Bjork, Primal Scream, Brian Eno, Sinead O’Connor, Julianne Regan, Holgat Czukay (Can), The Edge and Chaka Demus & Pliers.

In 1986, after a long battle with alcohol, Wardle unexpectedly walked away from the music scene to work for London Transport, but eventually returned with a revitalized line-up of his band Invaders Of The Heart. By the 1990s, Wardle finally achieved public acceptance, including chart success and a Mercury Music Prize nomination for the album Rising Above Bedlam (Island Records). However, after releasing the top 40 album, Take Me To God and Heaven And Earth (also on Island Records), Wardle returned to making more experimental records. In 1997, he started up his own independent record label, 30 Hertz Records, a set-up which has so far resulted in well over 30 albums. In 2004, he signed to legendary reggae label Trojan Records, resulting in the best-selling box set, I Could Have Been A Contender, and two studio albums, Mu and Heart And Soul. In 2011, Wobble signed with Cherry Red Records for two collaborative albums – Psychic Life with Julie Campbell (aka LoneLady) and Ying And Yang with his old PiL bandmate Keith Levene.

Wardle is now a dedicated family man with a documented interest in spirituality – he received a BA in Music and Philosophy in 2001 – and, until 2009, he wrote regular book reviews for the Independent On Sunday, since then writing book reviews for The Times newspaper.  He has also published a best-selling autobiography, Memoirs Of A Geezer, made yet more records – including Japanese Dub and a Jah Wobble and the Modern Jazz Ensemble album and published Odds&Sods&Epilogues, a book of poetry set to music that contains a CD.

On Tour:

  • 23rd May 2015 – Brixton Jamm, London. Tickets.
  • 29th May 2015 – The Venue, Derby. Tickets.
  • 30th May 2015 – The Donkey, Leicester. Tickets.
  • 5th June 2015 – Sound Control, Manchester. Tickets.
  • 19th June 2015 – Gardyne Theatre, Dundee. Tickets.
  • 20th June 2015 – King Tuts, Glasgow. Tickets.
  • 3rd July 2015 – The Cellars, Portsmouth. Tickets.
  • 23rd July 2015 – The Bowery District, Reading. Tickets.
  • 24th July 2015 – The Globe, Cardiff. Tickets.
  • 25th July 2015 – The Fleece, Bristol. Tickets.

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