Holy Sons: The Fact Facer – album reviewHoly Sons – The Fact Facer (Thrill Jockey)
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Lo-fi artist Holy Sons releases the latest album for his longstanding project. Louder Than War’s Paul Scott-Bates reviews.

This album is a cracker, make no mistake. Emil Amos (aka Holy Sons) releases his debut album for label of the year, Thrill Jockey and it’s rather wonderful.

Amos writes uncomplicated multi-layered music which oozes emotion and beauty whilst often swimming in a sea of simplicity and emptiness. Playing several of the instruments himself, and sounding like Beck may have done had he fronted a mighty 70s rock band.

He skirts from the initially desperate Doomed Myself (which after repeated plays borders on a classic) to the semi-reggae slow burner Long Days with apparent ease. His subtle voice adds a comfort to the sometimes abrasive backing and the openness of his most personal lyrics to date allows you into the soul of the man.


All Too Free opens like a song you’ve heard before and its construction and execution is to be admired. Again, stunning in its straightforwardness and barrenness creating a thing of lushness to be enjoyed over and over. The mood takes a darker turn with Wax Gets In Your Eyes as vocals deepen and guitars skate and skim effortlessly over a timely bass pattern.

Don’t let the 70s references deter you. He’s taken the best of the influences and brewed them with his own unique style to save them from a term in Hell. No Self Respect is case in point as the decades soiree with hopeless, boring, pretentious tunes is rescued and resuscitated with startling transformation.

Back Down To The Tombs not only provides us with a marvellous title but has some quite stunning (almost Baroque) guitar work, an interesting vocal range and appropriate effects. The album closer and title track sees Amos use his voice as a partnering instrument to his acoustic guitar as he unravels totally believable wretched tale.


The Holy Sons website is here. You can follow on Twitter here and like on Facebook here.

All words by Paul Scott-Bates. More of Paul’s writing on Louder Than War can be found here. Paul’s website is hiapop Blog. Paul is working hard to save Radio Lancashire’s On The Wire, the BBCs longest running alternative music programme. Follow him on twitter as @saveonthewire for all On The Wire news, or follow hiapop Blog on Twitter as @hiapop or on Facebook here.

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Born and bred in Lancashire, currently residing in the Rossendale Valley. Everything deserves one listen, but, not necessarily a second. Only (ex-Community) DJ to ever play Nat ‘King’Cole followed by Nine Inch Nails, and, eat Fish and Chips live on air. http://www.hiapop.com


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