Cherry Red Records

CD / DL / vinyl

Released 14 September 2018

Album #31 for Hawkwind. With so many years, gigs and albums (and former members) under the belt, how do you keep things fresh and  interesting. Find out here:

And when you’ve spaced rocked round the universe and back again a few times and turned things up to ten more times than you’ve had hot dinners, in the words of Nigel Tufnell, where have you got left to go?

Dave Brock’s chance meeting with songwriter and conductor Mike Batt at the US Embassy (applying for Visas apparently) sparked off an idea. Hence the cricket themed cover (bat/Batt?). With Hawkwind in the process of prepping an acoustic album, tangents were followed, the result of which was for Batt to lend a hand and  create orchestral arrangements of some of their back catalogue. Typically, Brock and his crew were “delightfully free spirited” in giving him  free rein, so alongside the current Hawkwind line up comes a string quintet, a sax quintet and brass section. “Reinventing the familiar,” Brock has called it; something that’s part and parcel of the spec for the heritage acts these days and I guess for Hawkwind in general.

Yes, the track listing might be familiar but not arranged in this guise before. Within seconds of the familiar chug of Quark, Strangeness and Charm, there’s a mariachi blast that gives a clue as to the direction that we’re taking on this trip.  Even Eric Clapton gets involved with some lead lines alongside Brock’s harp and the Batt piano, pounding out a quirky samba groove on The Watcher to the extent you’re almost mouthing “black jack, do it again” Steely Dan style. “I gave you chance to do the right thing” indeed! And so it goes on.

We Took The Wrong Step Years Ago and Hymn To The Sun are rooted in acoustic arrangements; the former strangely  touching with a more sensitive string arrangement and an example of a more typical band + orchestra arrangement but one that really works, adding a pastoral flavour and possibly the album highlight. The  pacier acoustic drive of Psychic Power on the other hand, gets the a suitably uptempo brass treatment sending it into a disco soul area.

The pairing of the Age Of The Micro Man and Into The Night also add an atmospheric nd reflective calm with their orchestral embellishments but it’s left to Down Through The Night to remind us all why we’re here and follow a cabaret show section by re-establishing the space rock credentials.

The tour,  In search of Utopia – and beyond, that sees Hawkwind plus orchestra kicks off in October. Well worth a dabble.

Listen to Quark, Strangeness & Charm in its 1977 original arrangement  here:

You can find Hawkwind’s Mission Control online here 

They are  also on Facebook  and Twitter


All words by Mike Ainscoe. You can find more of Mike’s writing on Louder Than War at his author’s archive. He can be found on Facebook and his website is www.michaelainscoephotography.co.uk



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Mike has been contributing to Louder Than War since 2012, rising through the ranks from contributor to Sub Editor and now Reviews Editor. He brings his eclectic taste to the table with views on live shows (including photography) and album reviews, features and interviews from rock to metal to acoustic and folk.


  1. The only thing ridiculous about this whole release and effort from Hawkwind is a minority of sanctimonious “fans” who have made absolute fools of themselves by posting drivel.How dare Hawkwind do something different!

  2. It is different and I like it.
    This is still Hawkwind but here I know if there are visitors round for a summer garden party then this would be an excellent choice to play.
    My wife who is not particularly a fan, loves it!

  3. I use to Love Hawkwind stuff, but not this one. It is full of brass and I hate brass section. A heavy sound à la Iron maiden should have been more interesting . This opus is a copy of sergent peppers lonely etc. Forget it


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