Chuck Berry was, of course, the architect of rock n roll but what happens when the next generation turns up —-these great singles review from 1980 from Jetlag fanzine show much more wisdom than many of his contemporaries and – to be honest- the young bands he was reviewing when ti was their turn to get old!
Sex Pistols’ “God Save the Queen”:
What’s this guy so angry about anyway? Guitar work and progression is like mine. Good backbeat. Can’t understand most of the vocals. If you’re going to be mad at least let the people know what you’re mad about.
The Ramones’ “Sheena is a Punk Rocker”:
A good little jump number. These guys remind me of myself when I first started, I only knew three chords too.
The Clash’s “Complete Control”:
Sounds like the first one. The rhythm and chording work well together. Did this guy have a sore throat when he sang the vocals?
The Romantics’ “What I Like About You”:
Finally something you can dance to. Sounds a lot like the sixties with some of my riffs thrown in for good measure. You say this is new? I’ve heard this stuff plenty of times. I can’t understand the big fuss.
Talking Heads’ “Psycho Killer”:
A funky little number, that’s for sure. I like the bass a lot. Good mixture and a real good flow. The singer sounds like he has a bad case of stage fright.
Wire’s “I Am the Fly” and Joy Division’s Unknown Pleasures:
So this is the so-called new stuff. It’s nothing I ain’t heard before. It sounds like an old blues jam that BB and Muddy would carry on backstage at the old amphitheatre in Chicago. The instruments may be different but the experiment’s the same.