Dub Spencer and Trance Hill: William S Burroughs In Dub – album reviewDub Spencer and Trance Hill – William S Burroughs In Dub (Echo Beach)


Out Now


The four-piece live band from Switzerland blend the Beatnik poet and Post-Modernist author with electronic dub beats. Louder Than War’s Paul Scott-Bates listens.

William S Burroughs was considered to be “one of the most politically trenchant, culturally influential and innovative artists of the 20th Century”. The writer of 18 novels, including The Naked Lunch, also ‘appeared’ on the cover of Sgt. Pepper’s Lonely Hearts Club Band and has provided his voice to many recordings including tracks by John Cale, Kurt Cobain and The Disposable Heroes Of Hiphoprisy. So, it is probably from those recordings that Dub Spencer and Trance Hill have concocted this new collection.

Deep reggae grooves and heavy basslines form the perfect accompaniment to Burroughs’ voice. So perfect, and so beautifully blended. In fact that you’d be forgiven for thinking that he actually recorded in the studio with the band. The idea of sound bytes and clips over music isn’t new and groups like the wonderful Public Service Broadcasting have encapsulated the theory wonderfully but Dub Spencer and Trance Hill seem to have really put their stamp on this sound.

Guitars are subtle and the addition of keyboards gliding to and fro make easy but interesting listening. Opening track Burroughs Called The Law is low-key and fascinating and sets the pace and style for the whole album, inviting you in as the dubbed-out voice quotes and quips. The album would be entirely listenable to as an instrumental but the voice adds a certain extra interest to the fifteen blistering tracks included here.


By no means a seat-of-the-pants project, the blessing of the Williams S Burroughs Foundation was obtained from those they collaborated with. Not everything is of a reggae orientation, there are dubbed-out ambient pieces and even hints of Spaghetti Westerns tucked away for good measure. The overall feel of psychedelic dub makes this a haunting and magical composition.

William S Burroughs In Dub is a triumph of modern day dub and stands shoulder to shoulder with today’s greats like Adrian Sherwood whose influence here is obvious. It’s addictive, it’s ingenious and most of all it’s a great album. Listen to it and be impressed.


The Dub Spencer and Trance Hill website is here. You can hear more of their music on Soundcloud here, and follow them on Facebook here.

All words by Paul Scott-Bates. More of Paul’s writing on Louder Than War can be found here. Paul’s website is hiapop Blog. Paul is working hard to save Radio Lancashire’s On The Wire, the BBCs longest running alternative music programme. Follow him on twitter as @saveonthewire for all On The Wire news or follow hiapop Blog on Twitter, @hiapop.

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Born and bred in Lancashire, currently residing in the Rossendale Valley. Everything deserves one listen, but, not necessarily a second. Only (ex-Community) DJ to ever play Nat ‘King’Cole followed by Nine Inch Nails, and, eat Fish and Chips live on air. http://www.hiapop.com


  1. I’m sorry, I beg to differ. It is a rather pedestrian dub offering that stands, at best, in the wake of Sherwood; not at all equal to him. Not to mention that, to any Burroughs fan, these routines are old hat. We’ve heard them before on better albums. Bottom line is, really now, why on earth would someone that never knew him release an album with used Burroughs quotes now, almost 20 years after his death? Where’s Bill Laswell when you need him???


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