Cedric Noel

Cedric Noel: Hang Time

(Joyful Noise Recordings) & (Forward Music Group)

Available on all formats

Released November 12th

Prolific Canadian Cedric Noel releases his 8th album, Hang Time on November 12th via Joyful Noise Recordings & Forward Music Group.

Cedric won’t likely be a familiar name to many on this side of the Atlantic however in he’s spent the past decade releasing material and quietly expanding the borders of his music. Reading reviews and interviews whilst listing to the album I find his musical style described as many things, ambient, Folk Rock and Indie Rock. All of these come into play on Hang-Time but it’s his soulful, soothing voice that really draws me in.

Born in Niger, and adopted by Canadian and Mozambican/Belgian parents, Cedric spent his youth moving around the globe with his adoptive, multi-racial family; eventually landing in Canada for university. Hang-Time was written during an intense period of self-reflection, this collection of songs finds the songwriter wrestling with his sense of identity, self and place.

For the album he’s worked closely with friend and engineer Steve Newton, ensuring the songs had the time and space needed to come fully to fruition. Hang Time also features subtle rhythm work from drummer Liam O’Neill (SUUNS) and guest spots from Brigitte Naggar (Common Holly) and Tim Crabtree (Paper Beat Scissors) among others.

The album opens with Comuu, it’s such an abrupt opening that you may think you’ve missed a few seconds. It’s enough to grab your attention however and make you want to listen, and then it ends. Then we have Headspace; Keep; and Stilling, a brooding trio of tracks, not dissimilar in style to Pixies or Low, albeit with a more vigorous beat but the same quiet/loud/quiet dynamic. There isn’t a weak track on the album, Cedric’s soulful voice unpinned by only the most necessary of instrumentation. On Allies we find the artist at his most confrontational, standing up for his proud, Black self, with the refraining “are you on my side?” leads to guitar solo which interweaves a Malcolm X soundbite, eventually engulfing the composition. The lead single Nighttime (Skin) begins the journey to the albums climax. The track traces the artist’s sense of ancestral dissociation through to a triumphant moment of pride in self-acceptance before the title track before closing on Cozy, a ‘round’ with a delicate nursery-rhyme quality to it.

Throughout Hang Time, the artist finds a way to ask hard questions (both of the listener and himself) in ways that are compassionate, open and honest. The ebb and flow of tension and tenderness redefining what Black music can be in 2021.

To find out more about Cedric Noel visit Facebook, Bandcamp, Instagram or his website

Cedric Noel: Hang Time – album review

All words by Iain Key. See his Author Profile here author’s archive or on Twitter as @iainkey.

Previous articlePremiere on Rough Trade Records – a new single by Pinegrove
Next articleJames Sullivan: Light Years – album review
50 going on 30... Dad to McKenzi... Season Ticket for MUFC... Collector of Music... Enjoys writing, especially about Manchester bands / Factory Records... Favourite Music : Joy Division/New Order, Wedding Present, The Smiths, Northside, Fightmilk, The Fall, The Jam, The Clash, Sex Pistols, Billy Bragg, Beatles, World Of Twist, My Chemical Romance, James, Happy Mondays, Section 25, Working Mens Club.... so so many....

LEAVE A REPLY

Please enter your comment!
Please enter your name here