Blancmange - Semi DetachedBlancmange – Semi Detached (Cherry Red)

LP/ CD/ Deluxe CD/ DL

23 March 2015

9/10

Legendary 80s electronica act, Blancmange, release their new album. Louder Than War’s Paul Scott-Bates reviews.

A lot has been said about Semi Detached, and quite rightly so. Since the return of Blancmange with 2011’s Blanc Burn the band have made their intentions quite clear in that there was unfinished business following the original disbandment after their Believe You Me album in 1985.

There were clearly second helpings still to be enjoyed, and although Stephen Luscombe has not made any live appearances on the current Blancmange incarnation he has clearly had input. On this, the fifth Blancmange album proper (not including the recent remake of their debut album which was renamed Happy Families Too), Luscombe plays no part, leaving Neil Arthur to take the reins.

Arthur’s Northern quirk is present throughout Semi Detached though the overall feel is darker. Brooding through ten tracks there’s the sense that the Blancmange sound still has much to offer. In terms of composition it’s probably most akin to the 1985 bow-out as songs feel slightly looser whilst remaining clinical sounding and impeccably arranged.

Opener, The Fall is a dissection of the London Underground, lost love and clutching tickets to see Mark E Smith and his crew. It’s unassuming, and on first listen possibly a peculiar start to the album, but on subsequent hearings (and there will be many of Semi Detached) it becomes apparent that it is well thought out. Maybe a call to Luscombe and the friendship than began over 30 years ago, it flows from humble beginnings to an eight minute overture slowly easing in the listener.

The version of CAN’s classic I Want More pays tribute to the German experimental rock band in the form of their only UK hit. It’s perfect for Arthur to interpret the madcap approach and repetitive chorus with a modern day twang and the infectious quality of it could possibly be a future single release if widespread recognition is what he so desires.

Current release, Paddington,is a song about the tube location and not the bear and pulls together random images of London with a musical hook not unlike Living On The Ceiling – the track that will probably keep Neil in Ewood Park pies for the rest of his life. It’s a well-constructed poppy affair, as is the bulk of the album, showing the darker side of the man whilst maintaining the mainstream prowess.

The instrumental, MKS Lover, begins with a nod in the direction of synth classic Being Boiled and displays the multi-layered, looped sound to which we have been accustomed to. Semi Detached is a huge progression from Arthur’s last (and debut) solo album, Suitcase, and yet again utilises the assistance of Adam Fuest who’s at the mixing desk this time round. Another regular is David Rhodes whose effective guitar playing has almost always been a feature of Blancmange’s work.

Like I Do and Acid delve into dance oriented territory and provide more opportunities for radio airplay. Album closer, Bloody Hell Fire, is a superbly atmospheric piece of tired dispassion and self-pity. Arthur’s vocals are as fine as they ever have been and show a side that many may not have encountered before – beautifully haunting.

Semi Detached is a modern day riposte to the Blancmange of the 80s. Still catchy, still infectious but now all grown up. The journey will no doubt continue, but for the moment this could be their finest album to date.

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The Blancmange website is here: blancmange.co.uk. They can be followed on Twitter as @_blancmange_ and liked on Facebook.

All words by Paul Scott-Bates. More of Paul’s writing on Louder Than War can be found at his author’s archive. Paul’s website is hiapop Blog and you can follow him on Twitter here, and on Facebook here. You can also follow him on Twitter as @saveonthewire for all On The Wire news.

1 COMMENT

  1. Well, quite intriguing as such, the album does not, however, match the level of the almost legendary debut longplayer “Happy Families”. Ironically, that old set of songs (33 years ahead of now!!!) displays a much more sophisticated and interesting sound. Here, a.d. 2015, Neil Arthur has not quite made an effort to offer anything more than a horribly one-dimensional synth cluster that stylistically bring us back to the very beginning of the new wave/new romantic era. “Semi Detached” is not a bad album, indeed. However, it’s biggest and possibly only surprise is its ostentatiously oldfashioned sound that becomes increasingly embarassing as the track flow on. The culmination presents “Useless”, a song that seems almost grotesque in its silly, cheering mood.
    All right, tracks as “Acid” or “Paddington” keep up to a certain standard but cannot change the impression of the overall deficit of the truly grown-up-and-still-developed-on new wave ambience.
    All in all, a nice album… and nothing more.

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