Bernhoft: Islander – album reviewBernhoft – Islander (Big Picnic Records)
Out Now


Norwegian vocalist Bernhoft releases his new album. Louder Than War’s Paul Scott-Bates reviews.

It’s easy to see the appeal of Jarle Bernhoft. His mix of soul and funk is easy on the ear, and Islander contains some nice tracks, but it’s all too safe with nothing ground breaking.

In his native Norway he’s a big star with number 1 albums and voted Best Artist and Male Artist of the Year at their version of the Grammys. He’s had over seven million YouTube views. In America he’s recently appeared on the Ellen and Conan shows, they seem to like him too and the US audience is probably tuned for him even though they insist on including him into today’s faux interpretation of R ‘n’ B.

On Islander, his third album, he breezes through eleven tracks. Make no mistake he’s good, decent enough vocals and catchy songs from the Nordic multi-instrumentalist. He’s clearly been influenced by the likes of Stevie Wonder and even Sly Stone and he’s not afraid to let us know.

Opening track Come Around With Me starts the album with an instantly melodious number. Shades of Terence Trent D’arby and a pattern emerging – history. Whilst Bernhoft is clearly a talented guy, it is terribly dated even with modern effects and occasional blips and bleeps. New single Wind You Up dares to be potential different with his attempt at beatboxing (yes, remember that?) and a near acapella track with handclaps, deep backing voices and funky guitar.


A duet with Jill Scott on No Us, No Them is again uncomplicated and far from earth shattering. It’s a shame, as for a man with such a great voice and able to write such catchy tracks could really stretch himself if he wanted to and come up with something slightly more adventurous. The sound of Islander is clearly 60s and 70s inspired.

Perhaps the most enjoyable tracks Arsy Skit and Chale Skit are live jams of no more than two minutes between them. They show a human side and a lot of fun. Perhaps developing these into full length tracks would have been a good idea, and is a trick missed.

There’s very clearly an audience for this sort of stuff and it’s easy to predict who that audience is. Penultimate track EISWALK again shows some originality but it’s all lost again on closing track I Believe In All Things You Don’t, a ballad of uninspiring content and blandness.

I wanted so much to like this album, if only for Bernhoft’s wicked haircut, but alas, a nicely coiffured Mohican does not a great album make.


The Bernhoft website is here as is his label. You can follow him on Twitter here and like him on Facebook here.

All words by Paul Scott-Bates. More of Paul’s writing on Louder Than War can be found here. Paul’s website is hiapop Blog. Paul is working hard to save Radio Lancashire’s On The Wire, the BBCs longest running alternative music programme. Follow him on twitter as @saveonthewire for all On The Wire news or follow hiapop Blog on Twitter, @hiapop.

Previous articleThe Roz Bruce Infusion: You Deserve To Be Here – album review
Next articleCerebral Ballzy: Jaded and Faded: Album review
Born and bred in Lancashire, currently residing in the Rossendale Valley. Everything deserves one listen, but, not necessarily a second. Only (ex-Community) DJ to ever play Nat ‘King’Cole followed by Nine Inch Nails, and, eat Fish and Chips live on air.


  1. I really got into “Come Around with Me” until you pointed out it was “terribly dated even with modern effects and occasional blips and bleeps” then I just stopped listening. I then started listening to music with auto tune and such.

    I listen to Futurecop!, The Drums, Twin Shadow, Kristine, Sellorekt LA Dreams but still rock Fleetwood Mac, Morrissey, DM, EPMD as dated as they may sound. Oh yeah, this one will kill you, I also listen to Al Stewart! God help me I don’t listen to Beyonce.


Please enter your comment!
Please enter your name here