Released 13 July 2018
“An affectionate look at the possibilities of Science Fiction. ….Science-fiction seems to be futuristic but of course it’s really about now. It’s an excuse to think about the mess were in now and how we in anyway influence that”. Tom Bailey
Sparkling circuits of synth and electronic sound effect inflate the madness of Tom Bailey’s new solo release Science Fiction, set to unveil July 13. Simultaneously captivating and compelling, like in many cases of madness, the brilliance is evident. Well suited for the turmoil of our Information Age, this is a geographical album, stemming from Afghanistan to Mars, reading like a map of uncertainty.
“Actually one of the songs I’ve written on the album is kind of questioning the wisdom of saying let’s all move to Mars. We’ve made such a mess of the earth, let’s move to Mars. Well to me that’s not an option either. We have a great responsibility to look after our closest relationships and widest consideration of the whole space that we occupy. I guess at the risk of sounding high and mighty I think it’s incredibly important to pop music if it has any hope of being relevant I have to maintain those responsibilities”….Tom Bailey
Although the album has that magic flavor of 80’s nostalgia we all loved via The Thompson Twins, the lyrical messages are relevant for today. Although this is the first solo album ever for Tom Bailey, and the first pop music release in 25 years, he said in a recent interview that it felt comfortable and he was enjoying it.
The lead track, Science Fiction, immediately catapults you musically back into the 80s, instrumentally, comfortable and warm as if one were seeing an old friend whom you once loved. However the lyrics speak differently. The song was written from the standpoint of a frustrated lover who’s partner was so engrossed in the hobby of reading books of science fiction, that it was impossible to get their attention. According to Bailey “it’s kind of looking out to space to the stars thinking what can we learn from the wider perspective and imagining the truth out there”.
Come So Far, the last track, and my personal favorite, a story about a guy who tried to make it from Afghanistan to London. If he doesn’t leave Afghanistan he will die. Aside from the material things he has to give up, he faces the prospect of leaving his culture, his family, and his emotional life. The song is haunting and the message disturbing but the track as a whole is awesomely brilliant.
Other tracks on the release include: Bring Back Yesterday, Work All Day, If You Need Someone, Ship of Fools, Blue, Feels Like Love To Me, and What Kind of World, all instrumentally high voltage, and lyrically asking some tough questions about the mess we’re in today. “Music has always had that ability to be superficial in one moment and really get to the heart of some profound questions in the next” … Tom Bailey
Some tracks, such as Ship Of Fools, project a more jazzy, funky zest, while others like Work All Day, are full out rock. However the entire album is a vast reminder of the music of the Thompson Twins, and what Tom Bailey accomplished then, and certainly accomplished now. The songs are a work of creative art, and the production of the album is one of the best I’ve heard. There’s a air of excitement and when first listening to the album, that is quickly replaced by total addiction and a need to hear it again and again.
Tom Bailey is currently engaged in a massive tour this year in the U.K. and the states. He is already booked for 75 dates, and is excited to do it. Science Fiction will have an impact on the listener and I suggest this album as an essential purchase and bearing in mind the words of the man himself: “I care more about the survival of music than the survival of the music industry.”
Listen to Feels Like Love To Me from the album:
All words by Eileen Shapiro. More of Eileen’s writing can be found in her author’s archive.